Ongoing project
Date:
Today and tomorrow and...
Intro:
Recently, I started collecting fragments of old patterns, textures, and materials from domestic furniture—seat covers, curtain prints, faded wood grain, chipped varnish. Instead of restoring them, I translated them into new wearable structures, loosely hung or collaged on the body.
The result is a set of soft, sculptural costumes that sit somewhere between memory and design—between dressing and decorating.
Each garment is a kind of body-furniture hybrid:
a structure that doesn’t support but lingers,that remembers touch, pressure, positioning, and wear.
The pieces are intentionally unstable.
They don’t fit the body perfectly—they respond to it, sometimes awkwardly.
Like old furniture, they carry a sense of having been shaped by time, by use, by someone who is no longer present.